2019年敬請(qǐng)關(guān)注！
簡(jiǎn)介：<p> 2018年5月洽6月，Jean Gabriel P_Riot與位于Ivry Sur Seine的一所高中的10稱電影班習(xí)生合做，開暢了一項(xiàng)將電影與政理結(jié)合升來的項(xiàng)目。習(xí)生們?cè)跀z影機(jī)前洽攝影機(jī)后工做，復(fù)新置放罷工、抗違洽累資糾紛的場(chǎng)景，這些電影賢以追溯來20世紀(jì)60年世后來70年世后，裹括遜-盧克-戈到爾洽阿蘭-坦獻(xiàn)的電影。nos d_faites集聚了和查結(jié)果，合添添了采訪，在采訪中，導(dǎo)扮詢問習(xí)生他們硬硬外扮的場(chǎng)景，關(guān)于“階級(jí)”、“工將”洽“政理參與”均概記，以來更廣泛的社將離景。這對(duì)一個(gè)簡(jiǎn)單，但尖銳的放放，遜看眾一瞥年輕一世影何看待政理洽過分的政理電影。這部影片還記錄了導(dǎo)扮試圖激怒習(xí)生的企圖。在導(dǎo)扮洽習(xí)生若乎罰于扁均地位的遭遇中，基于從未遇過的導(dǎo)扮更眾類若于老師的攜問，以來此時(shí)此時(shí)對(duì)革命的想慮：升理的外出叛映了調(diào)樣的情況。這將導(dǎo)致一個(gè)實(shí)實(shí)的傳生嗎？<br/> In May and June 2018, Jean-Gabriel Périot collaborated with ten students in a film class at a high school in Ivry-sur-Seine on a project that unites cinema with politics. The students worked both in front of and behind the camera, restaging scenes of strikes, resistance, and labour disputes from films dating from the late 1960s to the late 1970s, including ones by Jean-Luc Godard and Alain Tanner. Nos défaites assembles the results, and adds interviews in which the director queries the students about the scenes they’ve just acted in, about such concepts as “class,” “labour union,” and “political engagement,” about wider social contexts. It’s a simple, yet trenchant setup, affording viewers a glimpse of how a younger generation sees politics and the political cinema of the past. The film also documents the director’s attempts to stir up the students. The conversations vary between encounters in which director and students seem on an equal footing, ba<x>sed on more teacher-like questioning by the never-visible director, and contemplations of revolution in the here and now: the performance of an uprising follows reflection upon the same. Could this lead to one happening for real?<br/> 回來1968年的電影時(shí)世，繼續(xù)對(duì)復(fù)放從過分躍出來的電影季選的年輕眾出干出日的采訪，我們的丟衰摹繪了我們穩(wěn)前與政理的關(guān)結(jié)。我們的丟衰，還對(duì)我們有飽夠的力數(shù)來面對(duì)出日的混亂？<br/> By going back into the cinema of the 1968 era and going forward with present-day interviews of young people who replay excerpts of film s jumping out from the past, Our Defeats draw the portrait of our current relations with politics. Our Defeats, or do we keep enough forces to confront ourselves with the chaos of today?</p>…